Palestine

Palestine usually refers to:

Palestine may also refer to:

Palestine (region)

Palestine (Arabic: فلسطين‎ Filasṭīn, Falasṭīn, Filisṭīn; Greek: Παλαιστίνη, Palaistinē; Latin: Palaestina; Hebrew: פלשתינה Palestina) is a geographic region in Western Asia between the Mediterranean Sea and the Jordan River. It is sometimes considered to include adjoining territories. The name was used by Ancient Greek writers, and was later used for the Roman province Syria Palaestina, the Byzantine Palaestina Prima, and the Islamic provincial district of Jund Filastin. The region is also known as the Land of Israel (Hebrew: ארץ־ישראל Eretz-Yisra'el), the Holy Land or Promised Land, and historically has been known as the southern portion of wider regional designations such as Canaan, Syria, ash-Sham, and the Levant.

Situated at a strategic location between Egypt, Syria and Arabia, and the birthplace of Judaism and Christianity, the region has a long and tumultuous history as a crossroads for religion, culture, commerce, and politics. The region has been controlled by numerous peoples, including Ancient Egyptians, Canaanites, Israelites, Assyrians, Babylonians, Persians, Ancient Greeks, Romans, Byzantines, the Arab Rashidun, Umayyad, Abbasid and Fatimid caliphates, Crusaders, Ayyubids, Mamluks, Mongols, Ottomans, the British, and modern Israelis and Palestinians.

Palestine (comics)

Palestine is a graphic novel written and drawn by Joe Sacco about his experiences in the West Bank and the Gaza Strip in December 1991 and January 1992. Sacco gives a portrayal which emphasizes the history and plight of the Palestinian people, as a group and as individuals.

Publication history

The graphic novel, published in 2001 by Fantagraphics Books, is an assembly of nine stories first published in comic form in 1993; the single volume edition includes an introduction by Edward Said. In 1996, the comic was awarded the American Book Award by the Before Columbus Foundation.

Plot summary

The book takes place over a two-month period in late 1991 early 1992, with occasional flashbacks to the expulsion of the Arabs, the beginning of the Intifada, the Gulf War and other events in the more immediate past. Sacco spent this time meeting with Palestinians in the West Bank and Gaza Strip and the narrative focuses on the minute details of everyday life in the occupied territories, presenting the daily struggles, humiliations and frustrations of the Palestinians.

Study

Study or studies may refer to:

General

Graduation

People

Other

See also

Endgame study

An endgame study, or just study, is a composed chess endgame position—that is, one that has been made up rather than one from an actual game—presented as a sort of puzzle, in which the aim of the solver is to find a way for one side (usually White) to win or draw, as stipulated, against any moves the other side plays.

Composed studies

Composed studies predate the modern form of chess. Shatranj studies exist in manuscripts from the 9th century, and the earliest treatises on modern chess by the likes of Luis Ramirez Lucena and Pedro Damiano (late 15th and early 16th century) also include studies. However, these studies often include superfluous pieces, added to make the position look more "game-like", but which take no part in the actual solution (something that is never done in the modern study). Various names were given to these positions (Damiano, for example, called them "subtleties"); the first book which called them "studies" appears to be Chess Studies, an 1851 publication by Josef Kling and Bernhard Horwitz, which is sometimes also regarded as the starting point for the modern endgame study. The form is considered to have been raised to an art in the late 19th century, with A. A. Troitsky and Henri Rinck particularly important in this respect.

Study (art)

In art, a study is a drawing, sketch or painting done in preparation for a finished piece, or as visual notes. Studies are often used to understand the problems involved in rendering subjects and to plan the elements to be used in finished works, such as light, color, form, perspective and composition. Studies can have more impact than more-elaborately planned work, due to the fresh insights the artist gains while exploring the subject. The excitement of discovery can give a study vitality. Even when layers of the work show changes the artist made as more was understood, the viewer shares more of the artist's sense of discovery. Written notes alongside visual images add to the import of the piece as they allow the viewer to share the artist's process of getting to know the subject.

Studies inspired some of the first 20th century conceptual art, where the creative process itself becomes the subject of the piece. Since the process is what is all-important in studies and conceptual art, the viewer may be left with no material object of art.